Alex Dodge

Love May Fail, But Courtesy Will Prevail

April 29 - June 12, 2016

Opening Reception : April 29, 2016 6-8 pm

Alex Dodge, No Rainbow Without Rain (Fukushima), 2016 oil on canvas 24 x 32 inches, 60.96 x 81.28 cm
Alex Dodge, Monument, 2016 oil on canvas 70 x 55 inches, 177.80 x 139.70 cm
Alex Dodge, Monument (detail), 2016 oil on canvas 70 x 55 inches, 177.80 x 139.70 cm
Installation at Klaus von Nichtssagend Gallery,
Alex Dodge, Costaguana (Kane), 2016 oil on canvas 24 x 30 inches, 60.96 x 76.20 cm
Alex Dodge, The Flag Today, 2016 oil on canvas 26 x 36 inches, 66.04 x 91.44 cm
Alex Dodge, The Flag Today (Inverted), 2016 oil on canvas 26 x 36 inches, 66.04 x 91.44 cm
Alex Dodge, Semiogenetic, 2016 oil on canvas 22 x 30 inches, 55.88 x 76.20 cm
Alex Dodge, Monument (Forgotten), 2016 oil on canvas 28 x 38 inches, 71.12 x 96.52 cm
Alex Dodge, Topiary, 2016 oil on canvas 36 x 48 inches, 91.44 x 121.92 cm
Alex Dodge, Aufsteig und Fall des Bürgertums, 2016 oil on canvas 40 x 52 inches, 101.60 x 132.08 cm
Alex Dodge, Aufsteig und Fall des Bürgertums (detail), 2016 oil on canvas 40 x 52 inches, 101.60 x 132.08 cm
Alex Dodge, camelCase, 2016 oil on canvas 52 x 38 inches, 132.08 x 96.52 cm
Alex Dodge, camelCase, 2016 oil on canvas 52 x 38 inches, 132.08 x 96.52 cm
Alex Dodge, Topiary (at rest), 2016 oil on canvas 28 x 38 inches, 71.12 x 96.52 cm
Alex Dodge, The Walloping Window Blind, 2016 oil on canvas 42 x 50 inches, 106.68 x 127 cm
Alex Dodge, The Survivors, 2016 oil on canvas 55 x 70 inches, 139.70 x 177.80 cm
Alex Dodge, The Survivors (detail), 2016 oil on canvas 55 x 70 inches, 139.70 x 177.80 cm
Alex Dodge, Topiary (Fawn), 2016 oil on canvas 28 x 38 inches, 71.12 x 96.52 cm
Installation at Klaus von Nichtssagend Gallery,
Installation at Klaus von Nichtssagend Gallery,
Installation at Klaus von Nichtssagend Gallery,
Installation at Klaus von Nichtssagend Gallery,
Installation at Klaus von Nichtssagend Gallery,
Installation at Klaus von Nichtssagend Gallery,
Installation at Klaus von Nichtssagend Gallery,
Installation at Klaus von Nichtssagend Gallery,
Installation at Klaus von Nichtssagend Gallery,
Installation at Klaus von Nichtssagend Gallery,
Installation at Klaus von Nichtssagend Gallery,
Installation at Klaus von Nichtssagend Gallery,

Press Release

In 1978 a high-school student named John Figler sent a telegram to Kurt Vonnegut that read “Love may fail, but courtesy will prevail.”  Vonnegut responded: “I needn’t have bothered to write several books, a seven-word telegram would have done the job.”

Klaus von Nichtssagend Gallery is pleased to present a show of new works by Alex Dodge, his first New York solo show in six years. Titled Love May Fail, But Courtesy Will Prevail, the show will feature a new series of paintings made with an entirely unique process that Dodge has developed; imagery is generated in 3D-rendering programs and stenciled with thick oil paint onto canvas.  Dodge’s studio practice has consistently explored the promise of technology as it interacts with and shapes human experience.  His newest works are deftly located between new media and traditional painting.

Each painting features a patterned fabric optically drafted to imply volume, perspective and gravity. Some fabrics are draped over objects, while others seem to be filled with a gelatinous liquid that oozes out of openings in the cloth. Several of the paintings imply a narrative, with the fabrics forming a series of figures, some more familiar than others.

In using these patterns to define his subject matter, Dodge’s paintings are subversively elegant: the shrouded cloths are mysterious and the forms defined by absence, invoking the body with a bit of the macabre. The variety of fabrics – stripes, damasks, ginghams and polka-dots –  imply cultural contexts that have been transcended through technology. The patterns function as platonic touchstones, transferred into binary code and rematerialized in paint, emphasizing the human and the technological as one.

Alex Dodge lives and works in Brooklyn, New York. His work is in the collections of the Museum of Modern Art, the Whitney Museum of American Art, the Metropolitan Museum of Art, and the Museum of Fine Arts Boston.  He is the recipient of the 2016 Japan U.S. Friendship Commission Creative Artist Exchange Fellowship.  He holds degrees from the Rhode Island School of Design (BFA) and the New York University Interactive Telecommunication Program (MPS).

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