Barry Stone

Highway 71 Revisited

January 11 - February 10, 2008

Opening Reception: January 11, 2008 7-9 pm

Artist's talk: January 13, 2008 12-1 pm

Barry Stone, Installation of Highway 71 at Klaus von Nichtssagend Gallery, 2008
Barry Stone, Blue Balloon, Blanco Country Fair, Texas 8.18.2007, 2007 Archival Inkjet Print 5 x 7 1/2 inches
Barry Stone, Flowers, Chick-fil-a, Highway 71, Austin, TX, 10.25.2007, 2007 Archival Inkjet Print 15 x 22 inches
Barry Stone, Low Bow, Austin, TX, 11.13.2007, 2007 Archival Inkjet Print 10 x 14 inches
Barry Stone, Blazer Tag Adventure Center, Highway 71, Austin, TX, 2007, 2007 Archival Inkjet Print 20 x 30 inches
Barry Stone, Rochmaninoff Concerto No. 2 with Tree and Galaxy, 2007 record cover and inkjet print collage 7 x 7 x 1/2 inches folded out to 7 x 14 x 1/2 inches
Barry Stone, Targets, Texas Parks and Wildlife Expo, Austin, TX, 10.07.2007, 2007 Archival Inkjet Print 15 x 23 inches
Barry Stone, David Ramsey with Bird in Branches (detail), Austin, TX, 1.5.2007, 2007 record cover and inkjet print collage 12 x 12 inches
Barry Stone, Overhead jet, Highway 71, Austin, TX 11.18.2007, 2007 Archival Inkjet Print 7 1/2 x 11 inches
Barry Stone, Church with Floral Curtain, South 1st Street, Austin, TX, 10.19.2007, 2007 Archival Inkjet Print 5 1/2 x 8 inches
Barry Stone, Tree with Flare, Austin, TX, 11.1.2007, 2007 Archival Inkjet Print 11 x 17 inches
Barry Stone, Flora, City Park, New Orleans, LA, 11.21.2007, 2007 Archival Inkjet Print 14 x 22 inches
Barry Stone, Jimmy Buffet Volcano with Welcome, Highway 290, Austin, TX, 12.8.2007, 2007 record cover and inkjet print collage 12 x 12 inches
Barry Stone, Ann and Mae Under Highway 71, Austin, TX, 9.29.2007, 2007 Archival Inkjet Print 20 x 30 inches
Barry Stone, Toyota Boxes, Texas Parks and Wildlife Expo, Austin, TX, 10.7.2007, 2007 Archival Inkjet Print 14 x 22 inches
Barry Stone, Raiders, Highway 71, Austin, TX, 12.01.2007, 2007 Archival Inkjet Print 17 x 22 inches
Barry Stone, Galaxy 030, Austin, TX, 11.6.2007, 2007 Archival Inkjet Print 15 x 22 inches
Barry Stone, Checking for Loose Limbs, Austin, TX, 10.14.2007, 2007 Archival Inkjet Print 30 x 40 inches
Barry Stone, The North and West Bound I-35 at Highway 290/71, Austin, TX, 11.6.2007 with Over New Orleans, LA, 11.24.2007, 2007 Archival Inkjet Print collage 14 x 22 inches
Barry Stone, Produce, City Market, Highway 71, Austin, TX, 10.12.2007, 2007 Archival Inkjet Print 30 x 40 inches
Barry Stone, Couple Under Highway 71, Austin, TX, 11.01.2007, 2007 Archival Inkjet Print 10 x 14 inches
Barry Stone, Highway 71 installation at Klaus von Nichtssagend Gallery, 2008

Press Release

Klaus von Nichtssagend Gallery is pleased to announce the second solo exhibition of photographs by Barry Stone titled “Highway 71 Revisited.” An opening reception for the artist will be held Friday, January 11, from 7–9 PM. There will be a talk by the artist on Sunday, January 13th at 12 PM.Barry Stone recently moved back to familiar stomping grounds: Texas, the state he lived in from birth until his late 20s. His upcoming show is a series of photographs all taken digitally with a snapshot sensibility. The installation, hung unframed and in thematically and formally varied groups is a reckoning with the experiences of “coming home,” almost like disparate observations from a reporter’s notebook, or scenes from a home video. The subject matter varies from people walking under highways, to fake flowers in fast-food restaurants, trees lit by false suns, and abstracted galaxies.

Stone refers to the collection of photographs as “an outsider’s poetic field guide to living in Texas.” The show is arranged in clusters like chapters in the guide, with Stone acting as editor. Editing is central to “Highway 71 Revisited,” as these selections are culled from over 1500 photographs taken since his return. Here the camera’s neutral treatment of all subjects is interrupted by the artist’s interpretation and presentation, which creates connections between the photographs on both formal and conceptual grounds. While these connections are readily apparent and striking, the photographer purposely leaves narratives vague and open to the viewer’s own experience.

Accompanying the photographs is an editioned “mix tape” and a selection of old record sleeves altered with Stone’s photographs.

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