Ian Pedigo, Blue Pale, Yellow Sun Center, 2020water-based pigment on plaster with marble dust on primed wood13 × 11 ¼ inches, 33.02 × 28.58 cm
Ian Pedigo, Three Red Stars, 2020water-based pigment on plaster with marble dust on primed wood10 ¾ × 6 ¾ inches, 27.31 × 17.15 cm cm
Ian Pedigo, Two Blue Morninglights, 2020water-based pigment on plaster with marble dust on primed wood6 ¾ × 10 inches, 17.15 × 25.40 cm
Ian Pedigo, Comet Tails, 2020water-based pigment on plaster with marble dust on primed wood9 ⅜ × 6 ¾ inches, 23.81 × 17.15 cm
Ian Pedigo, Fire Triangle, 2018glass, bone, plastic, acrylic latex, plaster, stucco, marble dust11.25 x 15 x 6 inches, 28.58 x 38.10 x 15.24 cm
Ian Pedigo, Auric Tongue Unburial, 2017-2018leather, vinyl, rubber, acrylic latex, plaster, stucco, marble dust38 x 48 inches
Ian Pedigo, Removed from the Sky, 2018wood, fabric, acrylic latex, plaster, marble dust72 x 40 x 32 inches, 182.88 x 101.60 x 81.28 cm
Ian Pedigo, Cloudbust Autoist, 2018aluminum, acrylic latex, metal, wood, plaster, marble dust10 x 8 x 6 inches, 25.40 x 20.32 x 15.24 cm
Ian Pedigo, Rain Vessel, 2018glass, metal, plastic, foam, metal, wood, acrylic latex, plaster, marble dust13 x 14 x 6 inches, 33.02 x 35.56 x 15.24 cm
Ian Pedigo, Waves, 2018conch shell, plastic, foam, metal, wood, acrylic latex, plaster marble dust15 x 10 x 3.75 inches
Ian Pedigo, Curve, 2014Bone, shoe laces, cotton fabric, wood33.75 x 24 x 2.75 inches
Ian Pedigo, China Mountains Abbey Ruin Fountain, 2014c-print face-mounted to plexi, wood, stain55 x 38 x 4 inches, 139.7 x 96.5 x 10.2 cm
Ian Pedigo, Armour, 2014plastic, metal, fabric, wood, glass56.5 x 34 x 12 inches, 143.5 x 86.4 x 30.5 cm
Ian Pedigo, Spine, 2013bone, shoelaces, fabric, wood36.5 x 20.5 x 3 inches, 92.7 x 52.1 x 7.6 cm
Ian Pedigo, Victorian Remains Interior Bridge, 2012face-mounted c-print on shipping pallet42 x 39 x 3 inches, 106.7 x 99.1 7.6 cm
Ian Pedigo, Drawing Component for Feature Film, 2012lighting gels, wood, iron oxide solution, bone as, pigment38 x 33 x 12 inches


Born in Anchorage, Alaska


A Body in Latency, Sala Diaz in San Antonio, Texas

Klaus von Nichtssagend Gallery, New York, NY
The Arrows Like Soft Moonbeams, 65Grand, Chicago, IL

Cosmopolitan Sleep Positions, Klaus von Nichtssagend Gallery, New York, NY

Eyes Fixed Upon Pictures, Abrons Art Center, New York, NY

In A Shaded Corner of the Room…, curated by Laura Mott, Galleri Rotor, University of Gothenburg, Sweden

Dragged Fondly Into the Woods, Rokeby, London
Dawn Goes by Round the Neck, Klaus von Nichtssagend, New York, NY
Solo Project, curated by Marco Antonini, Nurture Art, Brooklyn, NY
A Mouth Which Shouts is a Cave for the Hand, 65Grand, Chicago, IL
Office Hours, Forever & Today, NYC
Living Daylights, Cress Gallery of Art, University of Tennessee Chattanooga, TN

Accumulations of Matter, Klaus von Nichtssagend, Brooklyn, NY

Those that Float Because They are Light, SAAG, Alberta, Canada
Rokeby Gallery, London, England
The State Of Before As A Form, Cardenas Bellanger, Paris, France

Left in the Open Terraces, 65 Grand, Chicago
On Balance Volume, Pianissimo, Milan, Italy
Titanium Pro, Klaus von Nichtssagend Gallery, Brooklyn, NY

Suddenly Cast from Grayness, 65Grand Gallery, Chicago

Original Products Have Lapsed, Klaus von Nichtssagend Gallery, Brooklyn, NY

Group Exhibitions

Objecty, Tibor de Nagy Gallery, New York
The Art of Now, The Hearst Galleries, Hearst Tower, New York

American Pharoahs, curated by William Crump, TSA, Brooklyn, NY.

Ad Infinitum, curated by Brian Barr and Lauren Rice, The Katzen Art Center, American University, Washington DC
Site/Displace, Kristen Lorello Gallery, NYC

Paint Off, Paint On, Halsey Mckay Gallery, East Hampton, NY
Void, Super Dakota Gallery, Brussels
Braccia, MAN museo,in collaboration with Alessandro Biggio, Nuoro, Sardinia, Italy, traveling to Museo Marino Marini in Florence, Italy
Limber: Spatial Painting Practices, Herbert Road Gallery, Canterbury, UK, traveling to Grandes Galeries ESADHaR in Rouen, France
Work, Klaus von Nichtssagend, New York, NY
Black Rabbit, White Hole, curated by Amy Thoner, Samuel Freeman Gallery, Los Angeles, CA

your sun, and shadow, curated by Michael Jones McKean, at Anderson Gallery, Virginia Commonwealth University

Tailgates & Substitutes, Thierry Goldberg Gallery, 103 Norfolk Street, New York, NY
Related Clues, Inman Gallery, Houston, TX
A Horse with No Legs Still Makes Him a Winner, Recess Activities, NY
Voluntary Sculptures, LM Projects, Los Angeles
The Working Title, curated by Kris Chatterson and Vince Contarino, the Bronx River Art Center

The Every Other Day, curated by Donald Johnson-Montenegro, Ideobox Artspace, Miami
Let the Nouns Fool Around, curated by Jen Schwarting, Pace University Gallery, NY
REHAB, EDF Fondation (Espace Electra), Paris, France (upcoming)
Reconstruct +Deconstruction, curated by Jade Walker, Visual Arts Center, Austin, TX

Rubber Sheets, curated by Nick Knight, C.R.E.A.M. projects, NY
Sick Shape, curated by Jon Lutz, Daily Operation, NY

About, Auto-Italia South East, London
The Gentle Art of Collapsing the Expanded Field, curated by Chris Sharp, Cardenas Bellanger, Paris, France
Everything vs. Nothing, Franklin Parrasch Gallery, NY
Accident Blackspot, curated by Jim Lee and Rob Nadeau, Markus Winter, Berlin, traveling to Freight and Volume Gallery, New York

Stubborn Materials, curated by Simone Subal, Peter Blum Chelsea, NY
Circumventing the City, curated by Rachel Uffner, D’amelio Terras, NY
Automatic, curated by Chris Churchill, Franklin Parrasch Gallery, NY
Between the Clock and the Bed, curated by Pamela Jorden, David Patton Los Angeles, Los Angeles

Forth Estate Editions, Klaus von Nichtssagend Gallery, Brooklyn, NY
Oktuber to Decumber, Moti Hasson Gallery, NY
EAF06 Socrates Sculpture Park, Long Island City, NY
Avion, 65Grand Gallery, Chicago, IL
CRG Gallery presents: Klaus von Nichssagend Gallery, CRG Gallery, NY

Greater Brooklyn, CRG Gallery, NY
AIM 25, Bronx Museum of the Arts, NY

Queens International, Queens Museum of Art, NY
Testsite 04.2, Fluent Collaborative, Austin, TX (Group Project w/ Tom Harris and Jennifer Jankauskas)
Tactile Film, 65 Hope Street Gallery, Brooklyn, NY

Camp: Shelters Now and Then, Le Petit Versailles, New York, NY
5 x 7, Arthouse at the Jones Contemporary, Austin, TX (touring)

Duo, University of Dallas, TX
22 to Watch, curated by Dana Friis-Hansen, Austin Museum of Art

Rueckgabestelle (a group project), Galerie 5020, Salzburg, Austria
Window View, installation at the Hohensalzburg Fortress, Salzburg, Austria


“A Body in Latency”, Preview: San Antonio Current, November 10.

Durón, Maximilíano, “Ian Pedigo”, ArtNews, November, 2015
Tinari, Anastasia Karpova.  Review: “Ian Pedigo at 65Grand”, Newcity Art.  May 10
Conde Nast Traveller, New York Art Gallery Guide: Lower East Side and Chinatown, March

Canning, Susan, Competition in Common: Art around New York, Sculpture Magazine, December
McAdam, Barbara, Stories That Never End, ArtNews, March
Vartanian, Hrag, Best of 2014, Top 20 NYC Shows, Hyperallergic, December 24, 2014
The Lookout: Ian Pedigo at Klaus von Nichtssagend Gallery, ArtinAmerica.com, April 10, 2014
Meier, Allison, Sculptural Sorcery: Ian Pedigo’s Assemblages of the Natural and Manufactured, Hyperallergic, March 19, 2014

Smith, Roberta, Work, New York Times, July 18th, 2013
Vartanian, Hrag, NADA’s New Grown-Up Look, Hyperallergic, May 13, 2013
Goings on About Town: Art, The New Yorker, January 14, 2013

Wilson, Michael, Ian Pedigo, Artforum, December 2011
Sharp, Chris (essay), Davies, Lillian (interview), Ian Pedigo, monograph, published by the Southern Alberta Art Gallery, Lethbridge, Alberta, Canada (forthcoming)
Crumb, Michael, The Viewer as Participant, The Chattanooga Pulse, February 24, 2011
Nichols, Ann, Ian Pedigo is visiting artist in UTC’S Marek Artist Series, Chattanooga Times Free Press, February 6

Maine, Stephen, Ian Pedigo, Art in America, June 2010
Goings on About Town: Art, The New Yorker, February 8th, 2010

Ian Pedigo: Totemic Architectures, Shifting Grounds, Canadian Art, November 5, 2009
Davies, Lillian, Ian Pedigo at Cardenas Bellanger, Art Lies, Summer issue ‘09
Lewis, David, Critic’s Picks, Paris, ARTFORUM.com, Feb. 5th
Lemay, Kate, The Zen Appeal of Found Objects, ArtSlant Paris, Feb
Yood, James, Ian Pedigo, 65Grand, ARTFORUM, January

Lund, Karsten, Ian Pedigo: Left in the Open Terraces, Flavorpill Chicago, Oct. 7-13th
Mizrahi, Isaac, Isaac’s Favorites, IsaacMizrahi.com, July 18
Minimal Low Tech, Beautiful Decay, July 7
Sharp, Chris, Ian Pedigo, Frieze Magazine, May22
Smith, Roberta, Listings: Ian Pedigo: “Titanium Pro”, New York Times, April 11, 2008
Chu, Ingrid, Ian Pedigo, “Titanium Pro”, Time Out New York, Issue 654 : Apr 9–15, 2008
Wagner, James, Ian Pedigo at Klaus von Nichtssagend, jameswagner.com, March 27, 2008
Neil, Jonathan T.D., Legibility of Effort, ArtReview, January, p. 76

Sholis, Brian, Conventional Center, Scene & Herd, Artforum.com, December 6
MacAdam, Barbara A., Object Overruled, ARTnews, December, pp 124-127
Hudson, Susan, Stubborn Materials, Artforum, November
Clarkson, Lamar, Stubborn Materials, ARTnews, October 2007
Neil, Jonathan T.D., Stubborn Materials, Art Review, September
Stubborn Materials, Flavorpill, Issue 376. August 21-27
Stubborn Materials, The New Yorker. August 21
Smith, Roberta, In These Shows, the Material Is the Message, New York Times, August 10
Baker, R.C., Best in Show, The Village Voice. August 14
Circumventing the City, The New Yorker. August 10
Maine, Stephen, Their Dark Materials, The New York Sun, July 12
Foumberg, Jason, Ian Pedigo, sculptures, New City Chicago, March 30
Wenzel, Erik, Bob Jones and the Push Toward a Raw Refinement, Art or Idiocy, January 22

Forth Estate at Klaus Von Nichtssagend, James Wagner.com, December 21
Hinkel, Joanne, A Royal Treat, Center Stage Chicago.com, October 9
flavorpill Chicago, Bob Jones and Ian Pedigo, issue 105, September 19-25
CRG Presents Klaus Von Nichtssagend Gallery, This Week in New York, Volume 6, Number 7, July 19 — August 2
Bently, Kyle, Critic’s Picks: Ian Pedigo, Artforum.com. June 6

Smith, Roberta, Art in Review: Greater Brooklyn, The New York Times, July 8
James Wagner.com, June 14
Martin, Amy Rosenblum, and Lidia Yee (curators), AIM 25, exhibition catalog, Bronx Museum of the Arts
Robinson, Walter, Artnet News, Artnet.com, May 19
Howard, Christopher, Queens International 2004, The Brooklyn Rail, Feb

Robinson, Walter, Weekend Update, Artnet.com, November 24
Van Ryzin, Jeanne Claire, Inside Arts, XLENT weekly, Austin American Statesman, November 11
Iwasaki, Hitomi (curator), Queens International 2004, exhibition catalogue, Published by Queens Museum of art

Rueckgabestelle, project/exhibition catalog, published by Salzburg Summer Academy of Fine Arts, Salzburg, Austria
Bryan, Dave, Go Go Pedigo!, Glasstire Visual Arts News, www.glasstire.org, August 21st

22 to Watch: New Art in Austin, Exhibition catalog, Dana Friis-Hansen, Gail B
Sanders, and Erica Shamaly (co-curators), Published by the Austin Museum of Art
Van Ryzin, Jeanne Claire, Shades of the Future, XLENT weekly, Austin American-Statesman, April 11


Pollack-Krasner Foundation Grant

Emerging Artists Fellowship, Socrates Sculpture Park, LIC, NY

AIM Program, Bronx Museum of Art

Artists (Web) Space Artist, Artists Space, New York, NY

Public Collections

Whitney Museum of American Art, NY


M.F.A., The University of Texas at Austin.

International Summer Academy of Fine Arts, Salzburg, Austria.