Item for Sale
Sam Contis, "Overpass," 2022
"Overpass is about what it means to move through the landscape. Walking along a vast network of centuries-old footpaths through the English countryside, artist Sam Contis focuses on stiles, the simple structures that offer a means of passage over walls and fences and allow public access through privately owned land. In her immersive sequences of black-and-white photographs, they become repeating sculptural forms in the landscape, invitations to free movement on one hand and a reminder of the history of enclosure on the other. Made from wood and stone, each unique, they appear as markers pointing the way forward, or decaying and half-hidden by the undergrowth. An essay by writer Daisy Hildyard contextualizes this body of work within histories of the British landscape and contemporary ecological discourses. In an age of rising nationalism and a renewed insistence on borders, Overpass invites us to reflect on how we cross boundaries, who owns space, and the ways we have shaped the natural environment and how we might shape it in the future." (Text from aperture website)
Sam Contis at Carré d'Art Nîmes
Sam Contis Awarded 2022 Guggenheim Fellowship
The Board of Trustees of the John Simon Guggenheim Memorial Foundation awarded Sam Contis a 2022 Guggenheim Fellowship for her achievement and promise in the field of photography.
Sam Contis Works Acquired by The Centre Pompidou
The Centre Pompidou has acquired the following artworks from Sam Contis's Deep Springs series: Untitled (Neck), 2015; Hold Down, 2014; Pulling Back the Skin, 2014; Eggs, 2015; Red Desert (Death Valley), 2014; Shoeing, 2013; Untitled (Sheet), 2016; Cover, 2013; Arbor, 2014; Untitled (Riding the Range, ca. 1920-24), 2016.
"MASCULINITIES", featuring Sam Contis is traveling to Les Rencontres d'Arles
Day Sleeper, 2020
In this book Sam Contis presents a new window onto the work of the iconic American photographer Dorothea Lange. Drawing from Lange’s extensive archive, Contis constructs a fragmented, unfamiliar world centred around the figure of the day sleeper – at once a symbol of respite and oblivion.