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Metric on a Torus was reviewed by Vittoria Benzine for FAD Magazine. Read the review here. Metric on a Torus is on view through March 25, 2023.

Wigwag, Glen Baldridge’s ninth show at Klaus von Nichtssagend Gallery, was reviewed in The New Yorker by Johanna Fateman. Read the review here. Wigwag is on view through February 11, 2023.

Dream Life, a group show featuring work by Alex Dodge at BB&M Gallery in Korea, was reviewed in HypeArt.

Duet, Sam Contis’s current solo show, was reviewed in The New Yorker by Andrea K. Scott. Scott traces the lineage present in Contis’s work while celebrating the variety of formats on view.

Artforum reviewed Looking Back / The 12th White Columns Annual – Selected by Mary Manning at White Columns, spotlighting work by Donna Chung. The review was published in the March, 2022 print edition.

“Eyes and Yous” was reveiwed by Mina Juhn for Whitewall.

Eyes and Yous was reviewed by Alfred Mac Adam for The Brooklyn Rail. The author contemplates the act of seeing in relation to Coulis’s new artworks.

Eyes and Yous, Holly Coulis’ fourth solo show at Klaus von Nichtssagend was reviewed by Will Heinrich for The New York Times. Heinrich celebrates Coulis’ further push towards abstraction and her experiments with dry brush. Eyes and Yous will be up until February 12.

Tamara Gonzales’ show Horrible Beauty was reviewed by Amanda Millet-Sorsa at The Brooklyn Rail. Millet-Sorsa discusses Tamara’s practice, influences, and her personal style. Horrible Beauty is in the main gallery at Klaus von Nichtssagend Gallery until October 23.

Pamela Jorden’s show, Forest, has been reviewed by Sarah Hotchkiss for KQED. Forest was installed at Romer Young Gallery September 18th through October 30, 2021.

A review of Tamra Gonzales’ show at Providence College Galleries “Cosmic Recess” was reviewed by Leah Triplett Harrington for the Boston Art Review.

Amna Asghar’s first solo museum exhibition, “Well Wishes” at the Museum of Contemporary Art Detroit, was reviewed by Sara Barron in the Detroit Metro Times.

Donna Chung’s solo exhibition, fun! the! get! on! up! was reviewed by Blake Gopnik in Blake Gopnik on Art

Mark McKnight’s series, “Heaven is a Prison” was reviewed in Mousse Magazine by Andrew Berardini.

Barry Stone’s solo exhibition, Drift, was reviewed in Artforum by art critic Barry Schwabsky.

Mark McKnight’s solo exhibition, Mark McKnight : Hunger for the Absolute , was reviewed in the Brooklyn Rail by NYC writer Zach Ritter.

Dan Cameron reviewed Tamara Gonzales’s show, Bo Yancon, in the July – August 2019 issue of the Brooklyn Rail.

Jennifer J. Lee’s recent show at the gallery is reviewed by Rahel Aima in the April issue of Art in America.

David Gilbert’s show, House & Garden is reviewed by Barry N. Neuman in the February issue of Whitehot Magazine.

David Gilbert’s work is featured in the February issue of Artforum, with an essay about his most recent show at the gallery written by Wayne Koestenbaum.

Alex Dodge discusses his recent work and process in a great interview with Kate McQuillen in the new issue of Art in Print.  Sampling Ourselves: A Conversation with Alex Dodge

Yuki Higashino writes about Benjamin Butlers show “Recent Trees and Monochromes” at Galerie Martin Janda, Vienna, in Artforum.com.

David Gilbert’s work was predominantly mentioned in the review on artforum.com of “Hurts to Laugh” curated by Sarah Lehrer-Graiwer at Various Small Fires in Los Angeles. Read the review here!

Claire Voon reviews Love May Fail, But Courtesy Prevails

Liquid Pictures, currently on view, is reviewed by Rob Colvin on HyperAllergic.com.

Martha Schwendener reviews David Gilbert’s The Secret Garden in The New York Times.

Performa 15, Duets by David Gilbert and Paul Pascador was reviewed on Artslant.

David Gilbert’s show “The Secret Garden” was written up by Vince Aletti in the New Yorker.

Ian Pedigo’s annex space show was reviewed by Maximilíano Durón in the November 2015 issue of ArtNews.

Thomas Lawson’s painting show was reviewed by Ryan Steadman in the “Observer“.