Lost Pines, Barry Stone’s recent solo show at Lora Reynolds Gallery in Austin, TX., was reviewed in Glasstire, a Texas-based arts publication. Barbara Purcell explores the dual nature of this body of work; along with images of the burnt wreckage of the Lost Pines Forest, Stone includes images from a fire that took the life of his grandfather in 2002, thus weaving together the narratives of personal and communal wounds.
An extensive interview with Erika Ranee by artist Cordy Ryman was recently published in Bomb Magazine.
Duet, Sam Contis’ 2022 solo show, was reviewed in Musée Magazine by Lia Jung. Jung finds similarities between vocalist Inbal Hever’s body movements and the camera itself.
Jennifer J. Lee, whose artworks were presented at the Independent 2022, was discussed in Artsy’s article “The Best Booths at New York Art Week.” The author touches on Lee’s practice, her use of jute, and the works presented.
The Board of Trustees of the John Simon Guggenheim Memorial Foundation awarded Sam Contis a 2022 Guggenheim Fellowship for her achievement and promise in the field of photography.
“Eyes and Yous” was reveiwed by Mina Juhn for Whitewall.
Pamela Jorden’s practice is discussed in “Why Artists Are Turning to Tondo Paintings,” an article written by Rahel Aima for Artsy.net.
The Nancy Graves Foundation has named Sam Contis this year’s recipient of its annual Grants for Visual Artists program. Artnews
Pamela Jorden’s new monograph spans 10 years of work, with an essay by Sarah Lehrer-Graiwer and a conversation between Jorden, Alice Konitz, and Kaveri Nair. Books are available through the gallery.
The Secret Garden exhibition catalog is now available. Contact the gallery to order a copy.