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Spanning more than a decade of the artist’s practice, Lillies, David Gilbert’s first monograph, reimagines the artist’s studio as a paradigmatic space for multiple personhoods and alternative energies. Gathering 114 staged photographs, each composition depicts scenes of interiority, scaled-up dioramas of the artist’s psychic landscape embodying what it might mean to be an artist. Published by Zolo Press.
Comprising fourteen photographs—each reproduced as 8 × 10-inch meticulously tri-tone printed, hand-tipped plates—Posthume is a quiet, contemplative body of work. Oversized in format and restrained in scope, the book is both elegy and invocation: a memento mori that gestures towards the old masters, Armijo McKnight’s queer identity, and his Mexican American heritage. Published by TBW Books in an oversized edition of 750, each copy of Posthume is signed by the artist.
Tamara Gonzales is exhibiting work in a group show titled “A Queer Arcana: Art, Magic, and Spirit” at the Palm Springs Art Museum, which “brings together an intergenerational group of artists who explore how magic, spirituality, and esoteric knowledge have shaped queer art and culture in the twentieth and twenty-first centuries.”
Holly Coulis was interviewed by Dan Gratz on his podcast, More Light. The two artists discuss Coulis’s paintings and studio practice, as well as artistic inspirations and influences.
Tamara Gonzales has in a group show titled “Couples”, an exhibition of work by 26 artist-partners, at Eric Firestone Gallery in New York. The show is up through May 2, 2026.
Tamara Gonzales opened a solo show titled The center does not hold, it blooms, at The Pit in Los Angeles. The show features a suite of new mosiac tile works by Gonzales, and will be on view through April 30th, 2026.
Tamara Gonzales has work in a group show titled Remixed: Entwined Histories & New Forms at the Santa Barbara Museum of Art. The show “explores sonic alchemy as a conceptual, visual strategy in art that ‘remixes’ both physical objects and immaterial legacies”, and is up until August 30th, 2026.
David Gilbert is exhibiting work in a group show titled “Assistants”, curated around the intersecting lives of Jennifer Bartlett, Tony Feher, David Gilbert, Wyatt Kahn, and Elizabeth Murray, at Rebecca Camacho Presents in San Fransisco, CA. The show is up through April 25th, 2026
Alex Dodge is showing paintings in a group show titled Hanging Around, at BB&M Gallery in Seoul. The show is up through April 11, 2026
Holly Coulis’s show’s Whereabouts, is reviewed by Riad Miah in Whitehot Magazine. Miah writes: “In her hands, still life sheds modesty and reasserts its capacity to confront fundamental questions: how to see, how to attend, and how to remain present before the ordinary until it reveals the extraordinary.”
Jennifer J. Lee has a solo show at The Sunday Painter in London. Titled Yards, the show runs from March 7 through April 10, 2026.
Joy Curtis is exhibiting several new sculptures in, Offset Registers: Joy Curtis, Chuck Webster, & Jonathan Allmaier, a group show curated by johnny g mullen at Peninsula Art Space in New York. The show is up through March 28th, 2026.
Michael Agresta reviewed Boom and Dust in the February 2026 edition of Texas Monthly. Read Review
Glen Baldridge has a solo exhibition titled “The Pond”, at The Print Center in Philadelphia. The show runs until April 4, 2026.
Erika Ranee is exhibiting paintings in a group show titled “Night” at DC Moore Gallery in New York. The show is on view through February 7, 2026
Cultured Magazine included Dot in their line-up of must-see shows in New York this January. Karly Quadros writes, “From Kusama to Kandinsky, the dot is a primal, formal building block that artists have obsessed over for centuries.”