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Kemar Keanu Wynter is included in a group exhibition jointly curated by Hesse Flatow and Night Gallery at Hesse Flatow East.
Titled “Splash” the show runs from July 11 through August 8 at 68 Schellinger Road, Amagansett, NY.

Klaus Gallery is pleased to announce that the Carnegie Museum of Art has acquired Black Fly with Bodies, 2021, by Mark Armijo McKnight for its permanent collection.  The work was first shown in McKnight’s 2021 exhibition at Klaus Gallery, Hunger for the Absolute and was then included in the Carnegie’s Widening the Lens show in 2024/2025.

Tamara Gonzales and Erika Ranee are showing works in “Takeaway”, curated by EJ Hauser and Sara Gates, in Saugerties, NY, as a part of Upstate Art Weekend.
The show runs from June 25-28, 2026. 152 West Bridge Street, Saugerties, NY.

David Scanavino’s work is featured in Nicolas Vamvouklis’s review of The Biennale of Contemporary Keramics, published in The New York Observer.
Vamvouklis writes, “…the strongest moments happen outside, where pieces are placed among architectural traces and museum fragments. David Scanavino’s A Gift for Giovanni (2026), built from fired stoneware, explores clay as a body capable of holding absence. Its negative spaces preserve what is no longer visible, while its form alludes to maritime routes through which empires once moved culture and power.”

David Gilbert’s recently published Lilies was selected by Vince Aletti as his Photo Book of the Month in May. Read the full review here. Purchase Lilies here.

David Scanavino’s large-scale ceramic sculpture “A Gift for Giovanni” is included in “Where the Day Starts” the 2nd Biennale of Contemporary Keramics in Rhodes, Greece.  June 6 through October 31, 2026.
The show is curated by Stamatia Dimitrakopoulos, Loukia Thomopoulou, and Anissa Touati.

Glen Baldridge and Geoffrey Hendricks both have works on view in a group show titled “Windows” at Halsey McKay Gallery in East Hampton, New York.
The show is up through July 13, 2026

Kemar Keanu Wynter has a work on view in “What Is an American?”: Artists Reflect, curated by Jun Nakamura, at the Princeton University Art Museum in Princeton, NJ. The show “addresses how ideas of ‘Americanness’—and the rights and privileges entailed therein—have been imposed, argued over, and redefined since the nation’s founding”. On view through November 1, 2026.

David Gilbert’s’s show Stationery, is reviewed by Bill Arning online at Two Coats of Paint. Arning writes: “Given the severe limitations he imposes upon himself, the range of emotional and formal effects is astonishing. The longer one remains with these photographs, the more expansive they become – philosophically, spiritually, even emotionally. By pausing the flow of time, they preserve the tender evidence of a beautiful instant.”

David Gilbert’s new monograph “Lilies” is “Highbrow/Brilliant” according to New York Magazine’s Approval Matrix

Mast Books hosted a book launch celebration for David Gilbert’s new monograph, “Lilies” on Thursday, May 21 at 6PM. The event included a conversation between Gilbert and Wayne Koestenbaum, followed by a book signing.  You can listen to the conversation as a podcast here.

Mast Books is located at 72 Avenue A in the East Village.

David Scanavino was in conversation with Julia Rommel, Timothy Hull, and Mathew Cerletty at the gallery on Thursday, April 23 at 6:30PM. The four painters discussed Scanavino’s current show “Italian Painting” on view at Klaus Gallery. You can listen to the talk on spotify here.

Spanning more than a decade of the artist’s practice, Lillies, David Gilbert’s first monograph, reimagines the artist’s studio as a paradigmatic space for multiple personhoods and alternative energies. Gathering 114 staged photographs, each composition depicts scenes of interiority, scaled-up dioramas of the artist’s psychic landscape embodying what it might mean to be an artist. Published by Zolo Press.

Comprising fourteen photographs—each reproduced as 8 × 10-inch meticulously tri-tone printed, hand-tipped plates—Posthume is a quiet, contemplative body of work. Oversized in format and restrained in scope, the book is both elegy and invocation: a memento mori that gestures towards the old masters, Armijo McKnight’s queer identity, and his Mexican American heritage. Published by TBW Books in an oversized edition of 750, each copy of Posthume is signed by the artist.

Tamara Gonzales is exhibiting work in a group show titled “A Queer Arcana: Art, Magic, and Spirit” at the Palm Springs Art Museum, which “brings together an intergenerational group of artists who explore how magic, spirituality, and esoteric knowledge have shaped queer art and culture in the twentieth and twenty-first centuries.”

Holly Coulis was interviewed by Dan Gratz on his podcast, More Light. The two artists discuss Coulis’s paintings and studio practice, as well as artistic inspirations and influences.

Tamara Gonzales has in a group show titled “Couples”, an exhibition of work by 26 artist-partners, at Eric Firestone Gallery in New York. The show is up through May 2, 2026.

Tamara Gonzales opened a solo show titled The center does not hold, it blooms, at The Pit in Los Angeles. The show features a suite of new mosiac tile works by Gonzales, and will be on view through April 30th, 2026.

Tamara Gonzales has work in a group show titled Remixed: Entwined Histories & New Forms at the Santa Barbara Museum of Art. The show “explores sonic alchemy as a conceptual, visual strategy in art that ‘remixes’ both physical objects and immaterial legacies”, and is up until August 30th, 2026.

David Gilbert is exhibiting work in a group show titled “Assistants”, curated around the intersecting lives of Jennifer Bartlett, Tony Feher, David Gilbert, Wyatt Kahn, and Elizabeth Murray, at Rebecca Camacho Presents in San Fransisco, CA. The show is up through April 25th, 2026

Alex Dodge is showing paintings in a group show titled Hanging Around, at BB&M Gallery in Seoul. The show is up through April 11, 2026

Holly Coulis’s show’s Whereabouts, is reviewed by Riad Miah in Whitehot Magazine. Miah writes: “In her hands, still life sheds modesty and reasserts its capacity to confront fundamental questions: how to see, how to attend, and how to remain present before the ordinary until it reveals the extraordinary.”

Jennifer J. Lee has a solo show at The Sunday Painter in London. Titled Yards, the show runs from March 7 through April 10, 2026.

Joy Curtis is exhibiting several new sculptures in, Offset Registers: Joy Curtis, Chuck Webster, & Jonathan Allmaier, a group show curated by johnny g mullen at Peninsula Art Space in New York. The show is up through March 28th, 2026.

Michael Agresta reviewed Boom and Dust in the February 2026 edition of Texas Monthly. Read Review

Glen Baldridge has a solo exhibition titled “The Pond”, at The Print Center in Philadelphia. The show runs until April 4, 2026.

Erika Ranee is exhibiting paintings in a group show titled “Night” at DC Moore Gallery in New York. The show is on view through February 7, 2026

Cultured Magazine included Dot in their line-up of must-see shows in New York this January. Karly Quadros writes, “From Kusama to Kandinsky, the dot is a primal, formal building block that artists have obsessed over for centuries.”