Although the checklist enumerated nine discrete works (all 2010) in Ian Pedigo’s recent exhibition, the viewer immediately understood it as a unified installation. Formal and conceptual echoes bounced among assemblages of found objects and brought the architectural features of the modest, no-nonsense space into play. Throughout, Pedigo juggled painterly and sculptural attitudes toward light, notwithstanding the exhibition’s deadpan title, “Accumulations of Matter.” Read More