The work of American sculptor Ian Pedigo enjoys a unique mobility among the aesthetic of refuse currently collecting in some of the main arteries of the art world. Largely eschewing the impulse to stretch art’s formal terms to reductive breaking points, Pedigo’s work instead uses a certain formal complexity to enter into – if not to synthesize – a number of different discourses. For his first solo show in Europe, the Alaska-born, New York-based artist presents five sculptures and two wall works, offering a restrained yet incisive introduction to his practice. Read More