Since his breakout turn in several New York group shows last summer, Ian Pedigo has continued to build a solid reputation for abstract works that rise above the common materials used to create them—cast-off Formica, wood, tape, gels, cloth, carpets and pages appropriated from magazines and calendars that almost always register as a little worse for wear, even after their “Extreme Makeover (Art Edition).” Pedigo’s quandary here? Being misconstrued as merely repeating himself to make six new sculptures and collages for his most recent solo show. Read More