David Scanavino’s interest in ubiquitous, yet often invisible, institutional environments and materials that subliminally shape our social understanding are often informed from his interest in exploring memory—his own as well as the larger culture. This excavatory work has influenced a wide range of pieces, including large institutional installations made from mass-produced floor tiles, hand-made paper pulp paintings and most recently a series of allegorical landscape paintings executed on calf hides.
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David Scanavino
Nosedive, 2022
Catalogue printed on the occasion of David Scanavino’s solo show Nosedive at Klaus von Nichtssagend Gallery

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.cloud No. 13: David Scanavino
Edition No. 13 of KLAUSGALLERY.cloud takes a look into Scanavino’s studio outside of Providence, RI where he recently relocated after 20 years working in New York. The online presentation coincides with Klaus Gallery’s inclusion of new paintings by the artist at NADA Miami 2021 from December 1-4, and features works on paper made during the autumn of 2021.

Interview
David Scanavino on Sound & Vision Podcast

news
An Artforum "Must-See" Show

review
David Scanavino "First Look" in Art In America

ACQUISITION