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Pamela Jorden

Pamela Jorden applies paint in directed, pushed and dragged flows, creating markers through active and physical manipulation of materials. Working on shaped stretchers, Jorden pulls, stretches, and incises linen to wrap around convex and concave curves. Jorden often refers to landscape and qualities of light in her work, associating the exposed areas of linen with the color and texture of the sandy soil of Southern California, where she resides. Fluid and organic, the result is a reassembly of a dynamic surface of shifting focus, conveying the immediacy of granular detail and the vastness of geologic time.

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Pamela Jorden: Making Reflector

Edition No.1 of KLAUSGALLERY.CLOUD documents Pamela Jorden’s studio and the ideas behind the works in her solo show “Reflector.”


Pamela Jorden: Reflector

Pamela Jorden’s show Reflector was reviewed by David Rhodes in the June 2020 issue of The Brooklyn Rail


Pamela Jorden

Mark Van Proyen reviews "Sun and Moon," Pamela Jorden's solo show at Klaus von Nichtssagend in Art in America.


Pamela Jorden Featured in an Article on Tondo Paintings

Pamela Jorden's practice is discussed in "Why Artists Are Turning to Tondo Paintings," an article written by Rahel Aima for


Pamela Jorden in California's Governor's Mansion

A painting by Pamela Jordan is on view at the Governor's Mansion in Sacramento, CA.


Lower East Side’s Best Art Exhibitions Bring Us Brave New Subgenres of Abstraction

Paddy Johnson includes "Reflector," Pamela Jorden's solo show, in her article on abstraction.


Pamela Jorden’s “Forest” at Romer Young Gallery Reviewed by KQED

Pamela Jorden’s show, Forest, has been reviewed by Sarah Hotchkiss for KQED. Forest is currently at Romer Young Gallery through October 30, 2021.

Pamela Jorden at Klaus von Nichtssagend

Stephen Maine reviews Pamela Jordens solo show in Art In America.


Looking Through Trees

Zachary Royer Scholz writes about Pamela Jorden's solo show at Romer Young gallery in San Francisco.