Barry Stone, Prima and Bubbles,_MG_2113_2, 2015Archival Inkjet Print334 x 51 inches, 86.36 x 129.54 cm
Barry Stone, Sunset Clouds, DSCF0536_1, 2015archival inkjet print334 x 51 inches
Barry Stone, Seconda Emerging, 2015archival inkjet print334 x 51 inches, 86.36 x 129.54 cm
Barry Stone, Bouquet 3487_1, 2013Archival Inkjet Print35 7/8 x 23 7/8 inches
Barry Stone, Fairy Housing Complex 3545 (Magenta), 2012Archival Inkjet Print36 x 29 inches
Barry Stone, Best General View, Wonder World, San Marcos, Texas 2012, 2012Archival Inkjet Print34 x 51 inches
Barry Stone, Candle, Bailey Island, Maine, 2011Archival Inkjet Print24 x 19 inches
Barry Stone, Fire Wall 2942, 2012Archival Inkjet Print35 7/8 x 23 7/8 inches

Biography

b. Lubbock, Texas
lives and works Austin, TX.

Education

2001
MFA, The University of Texas at Austin

1993
BA, The University of Texas at Austin

Solo Exhibitions

2021
Drift, Klaus von Nichtssagend Gallery, New York

2019
hoP map, Gaa Gallery, Provincetown, MA

2017
Daily, In A Nimble Sea, Gaa Gallery Provincetown, Provincetown, MA
Daily, In A Nimble Sea, Art Place, Houston, TX

2016
The Future of Things Past, Klaus von Nichtssagend Gallery, New York

2015
Expanded Geographies, curated by Christopher Phillips and Joanna Lehan, Lianzhou Foto Festival, Lianzhou, China
The World is Round From Here, GAA Gallery, Wellfleet, MA

2014
New Weather Weaves New Garments, James Harris Gallery, Seattle, WA

2013
Look Near Into the Distance, Art Palace, Houston, TX
Many Worlds If Any, Klaus von Nichtssagend Gallery, New York

2011
Dark Side of the Rainbow, Art Palace, Houston, TX
Hum, SOFA, Austin, TX

2010
I Met A Unicorn, Klaus von Nichtssagend Gallery, Brooklyn, NY

2009
Highway 71 Revisited, Lawndale Art Center, Houston, TX

2008
Highway 71 Revisited, Klaus von Nichtssagend Gallery, Brooklyn, NY

2005
Your Name and Mine, Klaus von Nichtssagend Gallery Brooklyn, NY

Two-Person Exhibitions

2013
Naturalia: Beverly Penn and Barry Stone
, Co-Lab Projects, Austin, TX

2008
The Fifth of July, Okay Mountain, Austin, TX

Three Person Exhibitions
2008
Treat, Apama Gallery, Houston, TX

Group Exhibitions 

2019
Dallas Medianale 2019, curated by Charles Dee Mitchell, The MAC Dallas, Dallas, TX

2018
Home Bodies, Blue Star Contemporary, San Antonio, TX

2017
Open Codes: Living in Digital Worlds, VKM, Karlsruhe, Germany
Cologne Group Exhibition, GAA Project Space, Cologne, Germany

2016
Local Tide, curated by Parallelogram, S1 Gallery, Portland, OR

2015
Mine.Yours.Ours: Contemporary Photography and Video and the American Landscape, Center for Photography Woodstock, Woodstock, NY
Strange Pilgrims, with Lakes Were Rivers, The Contemporary Austin, Austin, TX
Technovisual: Art in the Age of Code, American Association for the Advancement of Science, Washington DC
Oysters With Lemon, Ventana 244, Brooklyn, NY

2014
Frameshift, curated by Useful Pictures, Denny Gallery, New York
To Each Their Own, Art Palace, Austin, TX

2013
Contemporary Photographic Practice and the Archive, Harry Ransom Center, University of Texas at Austin
Of a Technical Nature, Austin Museum of Art / Arthouse at Laguna Gloria, Austin, TX

2012
Walled Garden, Klaus von Nichtssagend Gallery, New York
Long Shadows: Wardell Milan, Jim Richard, Barry Stone, Inman Gallery, Houston, TX

2011
New Art in Austin: 15 Artists to Watch, Austin Museum of Art, Austin, TX

2010
It Is Better To Regret Something You Have Done, Art Palace, Houston, TX
New Work, New York, curated by Tim Barber, Levi’s Photography Workshop, New York
Interrrupted Landscapes, Champion Contemporary, Austin, TX
Panta Rei, Box 13 in conjunction with FotoFest, Houston, TX

2009
One on One, Art Palace, Austin, TX
Haunts, Privateer Gallery, Brooklyn, NY

2008
Decking the Path to Blessedness, curated by Art Park, Fotofest, Houston, TX

2007
And Introducing . . ., Texas State University
traveled to OKOK, Seatle, WA

2006
Pinned up,curated by Humble Arts Foundation, Third Ward, Brooklyn, NY
Marcia Wood Gallery, curated by Jason Fulford, Atlanta, GA
International Center of Photography, New York
Adventura, Moti Hasson Gallery, New York
CRG Presents: Klaus von Nichtssagend Gallery, CRG Gallery, New York

2004
Neverland, curated by Elissa Levy, audioEngine, New York
Art + Commerce 2004 Festival of Emerging Photographers, New York
Placemats, Public Art Project, J and L Publishers

2003
Move, Aviate Art Collective Action, Knitting Factory, New York
Exhibit No.1, Open Container, Clinton Hill, Brooklyn
House of Light, curated by Bernard Yenelouis, The International Center of Photography, New York

2002
Ways and Means, curated by Alison Morley, The International Center of Photography, New York
Open Video, hosted by Laurie Firstenberg, Artist’s Space, New York
Real Time, curated by Alexander Dumbadze, Texas Fine Art Association, Austin, Texas

2001
Spread, Jack S. Blanton Museum of Art, Austin Texas

2000
Snapshot, Contemporary Museum, Baltimore Maryland

1999
A Fresh Look at Texas Art, curated by Terrie Sultan, Mckinney Contemporary Art Museum, Dallas Texas

Publications

2017
Daily, In a Nimble Sea (monograph), Silas Finch imprint of Twin Palm Publishers.
True Nature, Slices #1

2009
The Collector’s Guide to Emerging Art Photography, edited by Alana Celii, Jon Feinstein, and Grant Willing, Humble Arts Foundation Publishing, New York

2008
Landscapes for Art: Contemporary Sculpture Parks, Edited by Glenn Harper and Twylene Moyer, ISC Press, Hamilton, NJ

2007
Queso Frito, Issue #2, www.quesofrito.com

2006
Group-Show No. 8, www.group-show.com

2004
Paper Placemats, A Public Art Project, J and L Books, Atlanta, GA

2001
American Photography 17, American Photography, New York

2000
American Photography 16, American Photography, New York

Bibliography

2021
Schwabsky, Barry, “Barry Stone : Klaus Von Nichtssagend Gallery”, Reviews, Artforum, April.

2020
Maine, Stephen, Artists Quarantine With Their Art Collections, Hyperallergic, July 18.

2013
Van Ryzin, Jeanne Claire, “Arts scene: Picks for July 28-Aug. 3,” Austin American Statesman, July 27.
Van Ryzin, Jeanne Claire, “Van Ryzin: Archives Inform Modern Photographers’ Work in Ransom Center Exhibit,” Austin American Statesman, July 13.
Webster, Lee, “Lakes Were Rivers: Contemporary Photographic Practice and the Archive,” Glasstire, July 13.
Barry Stone, “Many Worlds if Any,” Phases Magazine, March 20.Halle, Howard, “Ten Just Opened Gallery Shows You Should See: Barry Stone: Many Worlds If Any,” TimeOut New York, January 4.

2012
Kimball, Whitney, “Walled Garden at Klaus von Nichtssaggend Gallery,” New American Painting, October 18.
Lavelett, Shane, “BOOKSHELF” Lakes Were Rivers: Number One, January 10.

2011
Venator, Melissa, “Barry Stone, Art Palace, Houston”, ….Might Be Good, November 11.
Faires, Robert, “I Shutter To Think, Six photographers offer a snapshot of the state of the art”, The Austin Chronicle, May 20.
Smith, S.E.,  “Barry Stone: SOFA,” …Might Be Good, April 15.
Mehan, Magaret, “Barry Stone: Man about Town,” Glasstire, March 3.

2010
Ewing, John, “Barry Stone, Klaus von Nichtssagend Gallery,” Art Lies, Summer 2010, No.66, p84
Blalock, Lucas, “Q+A Lucas Blalock vs. Barry Stone,” The Photography Post

2009
Ptak, Laurel, “Barry Stone,” I Heart Photograph, February 12.

2008
Ruud, Claire, “Letter From the Editor, All My Insecurites,”  …might be good, Issue #111 November 28.
Garza, Evan, “For Art’s Sake: Decking the Path to Blessedness, A Project for BBAP by Artist Barry Stone,” 002 Houston, Volume 10, Issue 113, p. 22., May 10.
Therond, Eve, : “En Route Pour Barry Stone”, Foto (French ed.) p.46, February.
“Road to Nowhere”, New York Sun, Arts. p.18 (photo included), February 7.

2005
Maine, Stephen, “Dateline, Brooklyn,” Artnet, October 4.
Maine, Stephen, “Dateline, Brooklyn,” Artnet, February 3.

2002
Van Ryzin, Jeanne Claire, “XLENT: The Framing of a Fictional Film in REALTIME,” The Austin American Statesman, May 2 p.35
“Real Opportunity to View Video and Time-based Art,” TFAA Art News, Spring.
Boxer,  Sarah, “Can Not-So-Ordinary Artists Make Ordinary Snapshots? Well, Not Really,” The New York Times, March 8.

2000
Barnes, Michael, “The Fresh, the Ripe and the Stale at UT’s Faculty Exhibition,” The Austin American Statesman, November 25.
O’Sullivan, Michael, “300 Snapshots, One Surreal Show,” The Washington Post, November 17.

1999
Weinstein, Joel, “Juried Show at MAC,” The Dallas Morning News, November 20.
Akhtar, Suzanne, “If Only We Could See What the Judges Didn’t Like”, Fort Worth Star Telegram, November 28.
McCabe, Bret, “State of Things,” The MET, November 17.

Grants
2001
Artists Grant, The Arch and Anne Giles Kimbrough Fund, Dallas Museum of Art, Spring

Public Collections
Museum of Fine Arts, Houston, TX
Henry Art Gallery, Seattle, WA
ZKM, Karlsruhe Germany

Press

Exhibitions

  • Multiples

    Group Exhibition

    December 16 - December 19, 2004

  • Barry Stone

    Your Name and Mine

    January 7 - February 6, 2005

  • Barry Stone

    Highway 71 Revisited

    January 11 - February 10, 2008

  • Barry Stone

    I Met a Unicorn

    March 26 - April 25, 2010

  • Walled Garden

    September 9 - October 21, 2012

  • Barry Stone

    Many Worlds if Any

    January 11 - February 10, 2013

  • Barry Stone

    The Future of Things Past

    February 26 - March 27, 2016

  • Barry Stone

    Drift

    January 15 - February 20, 2021